Becks-Malorny Ulrike Cezanne. 1839-1906. Pioneer of Modernism

He was the founding father of modern art, the grand master who pointed painting forward on its way from Impressionism to the 20th century: Paul Cezanne (1839-1906). In Paris, but above all in Provence, Cezanne quested tirelessly for "a harmony parallel to Nature"-discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. This book discusses this extraordinary artist's major works and his theories of painting and colour.

Lanchner Carolyn Paul Cezanne

Paul Cezanne died in 1906, only six years into the twentieth century, but he is widely considered the founding figure of modernist painting, the artist whom Pablo Picasso called "the father of us all." This new volume in the MoMA artist series guides readers through ten memorable works by Cezanne in the collection of The Museum of Modern Art. His iconic paintings "The Bather" and "Boy in a Red Vest" are featured, along with still lifes and landscapes from earlier and later years. Carolyn Lanchner, a former curator of painting and sculpture at the Museum, contributes essays that illuminate each work.

Towards Impressionism. Landscape Painting from Corot to Monet

The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century French paintings from the Musee des Beaux - Arts, Reims in order to trace the history of French art from the Romantics, to the School of Barbizon, the circle of Honfleur, and up to Impressionism. The Musee des Beaux - Arts, Reims owns the second largest collection of works by Jean - Baptiste Camille Corot after the Louvre as well as excellent landscape paintings by artists from the Barbizon School. Corot was one of the most significant painters involved with the Barbizonists. Studying the Reims holdings further it seemed evident to edit a catalogue and curate an exhibition that reach from the romantic spirit in French landscape painting to the School of Barbizon on to the group of artists around Eugene - Louis Boudin at Honfleur -- the true cradle of Impressionism -- and lastly to the Impressionists Claude Monet, Camille Pissarro and Pierre - Auguste Renoir.

Mayhew James Katie and the Sunflowers

Join Katie as she steps into some of the most famous paintings in the world for an exciting art adventure! Katie would love to grow her own flowers, so when she sees some seeds in Van Gogh's Sunflowers masterpiece she can't resist reaching in and grabbing some . . . Mimi, a little girl from a painting nearby, comes to help, but when Mimi's dog Zazou comes too disaster follows! This art adventure features five famous post-impressionist paintings: Sunflowers and Cafe Terrace at Night by Vincent van Gogh, Breton Girls Dancing and Tahitian Pastorals by Paul Gauguin and Still Life, with Apples and Oranges by Paul Cezanne. Classic picture book character, Katie, has been delighting children for over 25 years.

Josef Helfenstein. Camille Pissarro The Studio of Modernism

This new consideration of Pissarro’s work focuses on his strengths as a unifier and champion of other painters, as well as his innovative approach to the Impressionist movement and beyond.As one of the founding figures of Impressionism, Camille Pissarro exerted considerable influence over the movement’s other members, such as Paul Cézanne, Claude Monet, Paul Gauguin, Edgar Degas, and Mary Cassatt. This publication focuses on Pissarro’s collaborations with these and other artists. It also celebrates the avant-garde quality of his painting, particularly in his contributions to Neo-Impressionism. Focusing on his role in the revolutionary Impressionist movement of the 1870s, the book traces Pissarro’s work in dialog with his fellow artists, particularly Cezanne and Gauguin, and also reveals his influence on works by Alfred Sisley, Georges Seurat, Paul Signac and others. In addition to pages of exquisite reproductions of works by Pissarro and his contemporaries, this volume features illuminating essays about his influences on Van Gogh, his approach to the female figure, and the role of synthesis among the early Impressionists. Readers will come away with a new understanding of how Pissarro’s unique talent for collaboration and unity was vital to the development of French painting in the late 19th century.

Duchting Hajo Cezanne

Perhaps best known for his exceptional apples and pears, Paul Cezanne (1839-1906) was one of the founding fathers of modern art. Though he was underappreciated and highly criticized during his life, as time passed Cezanne's work came to be considered of inestimable importance. His method of experimentation with abstraction and perspective was an important precursor to modern painting, particularly cubism. About the author: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). Издание на английском языке.

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Bingham Jane Paul Cezanne

Paul Cezanne's immersive approach to art resulted in a new kind of analytical discipline where the canvas becomes a screen through which the artist's visual sensations are recorded. He described this practice as 'a harmony parallel to nature', an almost architectural approach to his subject which often moved beyond the figurative tradition and towards abstraction. The book describes Cezanne's technique, the materials he used, and his importance as the greatest Post-Impressionist and fulcrum between Impressionism and the later Fauvist, Cubist and Expressionist movements.

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Icons of Modern Art. The Shchukin Collection

The Fondation Louis Vuitton's unprecedented exhibition brings together one hundred and thirty masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Dejeuner sur l'herbe (1866) by Claude Monet, the hieratic Mardi gras (1888-90) by Paul Cezanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908) and the collage Compotier, grappe de raisin, poire coupee (1914), the magnificence of Shchukin's collection is most fittingly exhibited here. Extended by a group of sorne thirty major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through nineteenth- and twentieth-century creation. The presentation of these exceptional works, where our collective gaze cornes together, constitutes an exemplary "painting lesson."

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Guerman М. Pierre Auguste Renoir. Portrait of the Actress Jeanne Samary

Jeanne Samary was an actress at the Comedie-Francaise. This portrait of her is perhaps one of the most famous of Renoir’s many renowned canvases following the Impressionist principle of painting life as it truly is, the artist showed the actress in her usual setting. In the soft, fluid contours, vibrant texture and the finest of colour reflections, we see the stroke of this mature master of Impressionism.